When Mike Schneider, director of the Night of the Living Dead: Reanimated project, asked me to contribute a featurette to the upcoming DVD release, I was afraid I wouldn’t have the time to do so. Well, last week I gathered strength and put together a 6 [...]]]> We all like going behind the scenes, right?

When Mike Schneider, director of the Night of the Living Dead: Reanimated project, asked me to contribute a featurette to the upcoming DVD release, I was afraid I wouldn’t have the time to do so. Well, last week I gathered strength and put together a 6 minute tutorial on interpretive rotoscoping.

Rotoscoping is an animation process that involves a lot of tracing. For NOTLD:R, I changed my style up depending on the shot — and sometimes that meant tracing 15 pictures a second with my Wacom stylus.

In this video, you can see some of that process, albeit sped up to make it more interesting.

Interpretive Rotoscoping for NOTLD:R from Mike Boas on Vimeo.

Lo and behold, I’ve finished the scene. The leering, lurching Bill Hinzman zombie attacks Barbara, she screams, and Johnny leaps to the rescue. It’s only 14 seconds, but I think I put in more hours on this [...]]]> It was a marathon session tonight. Just me and my Ustream channel and a few friendly observers.

Lo and behold, I’ve finished the scene. The leering, lurching Bill Hinzman zombie attacks Barbara, she screams, and Johnny leaps to the rescue. It’s only 14 seconds, but I think I put in more hours on this section than the last one, if possible.

All in all, my method is pretty… methodical. George Romero is a director who uses a lot of cuts and handheld work, which means time intensive roto.

Enjoy the scene below. I’m sending it off to director Mike Schneider and going to bed.

Roto is tedious. I’m doing sketchy work, but every 2 frames. That’s 15 times a second. Per character. Now my wrist hurts.

To prove it, I actually recorded my work habits with a webcam today. [...]]]> Same section as last time, but now Johnny has lip sync, the zombie is properly rotoscoped, and so is Barbara.

Roto is tedious. I’m doing sketchy work, but every 2 frames. That’s 15 times a second. Per character. Now my wrist hurts.

To prove it, I actually recorded my work habits with a webcam today. See my Ustream channel for two hours of NOTLD:R Roto work.

Really, it’s boring. Don’t bother.

But, you can enjoy the animated result below:

But… I wanted to get this test [...]]]> Weeks later, I’m back on this “Night of the Living Dead: Reanimated” scene. I’m jumping around a bit, so Johnny still needs lip sync. The Hinzman zombie is a junky placeholder — I’m thinking of rotoscoping him in that shot. There’s also a severe lack of Barbara there.

But… I wanted to get this test up to show what I’ve been doing with Johnny. He’s probably the most fun character to draw so far. Something about the horned-rim glasses, I guess.

Behold, the latest trailer! If you [...]]]> All this week, while I was focused on animating a few scenes, Mike Schneider was thinking about the big picture. He was getting all the pieces in place for a relaunch of the Night of the Living Dead: Reanimated website, along with a new trailer for the project.

Behold, the latest trailer! If you watch closely, you’ll see some of my animation.

Exciting! It sounded fun and easy. I just worked on the first few seconds for a couple hours, but I don’t even have [...]]]> I heard today about a short scene early in the movie that still needed attention. It’s about fourteen seconds of action in the cemetery featuring Barbara, Johnny, and the Bill Hinzman zombie.

Exciting! It sounded fun and easy. I just worked on the first few seconds for a couple hours, but I don’t even have lip sync yet.

Well, it’s still fun, but it always takes longer than I think. Anyway, here’s what I have so far.

My half rotoscope / half flash puppet method is very time consuming. If I’m called on to do some more orphan scenes (which I’d [...]]]> Here is the completed animation for the 49 second section I’ve been working on. The deadline for content is the end of this week, so I’m sending my files off tonight.

My half rotoscope / half flash puppet method is very time consuming. If I’m called on to do some more orphan scenes (which I’d love to do) I’ll be using a different approach.

This latest test features Ben making a phone call. More difficult than you might think!

When I’m done [...]]]> Here’s some more work from that same scene for Night of the Living Dead: Reanimated. My style is changing from shot to shot because I’m playing around, having fun. When finished, the whole movie will have a patchwork quality, so I don’t feel the need to stay consistent from shot to shot.

When I’m done with this sequence, I may move away from rotoscoping and do something with a cartoon look.