I’m a pepper… but not for long. The Dr. Pepper lunchboxes I bought in bulk are metamorphosing into something much more sinister. (These boxes are being used as props in many of Rochester Movie Makers’ short films this summer.)
First, all the shiny metal parts are masked off with blue tape.
Then I break out the primer.
It takes a few days to apply coats of primer and spraypaint. I often get bubbles and drips of paint. If they’re really bad, I sand them down, but since these lunchboxes are meant to look old, I’m not troubled too much by a rough surface.
Next, my friend Frank prints my artwork on sticky vinyl and I apply it to the boxes.
A little acrylic paint is dry-brushed on for an antique effect, especially on the metal to make it look rusty.
Mad Monster is not the only design. Here’s a look at some artwork I did for the short “Boxed In,” which has a sci-fi/magical plot. The first piece is a space image crossed with some atomic imagery, combining the macro and micro worlds.
The next two are Nalli and Hitchcock, two “Boxed In” characters in cartoon form.
The film “Lunchbreak” requires a Bride of Mad Monster box. After sketching a feminine version of the loveable green guy, I inked and scanned her to Photoshop. I’m now halfway through coloring — no texture or shading yet.
Here’s the artwork (so far) for the lunchbox props we’ll be using in the Rochester Movie Makers summer shorts. I’ve got a few things I still want to touch up, but I think it’s pretty close.
But that’s only the beginning! At least two shorts are going to require additional lunchbox characters. I’ll have to jump into those next.
If you have any interest in seeing the long hours of Photoshop painting that went into creating Mad Monster, check the links below.
Part 1:
http://www.ustream.tv/recorded/6388643
For this year’s Rochester Movie Makers Summer Shorts, we are introducing a linking motif. For those who wish to take part in a larger anthology film, our writers are incorporating a MacGuffin — in this case a red lunchbox. We wanted to give that lunchbox some personality, so I proposed some fictional branding. It’s important to avoid copyright issues (like if we used a Spider-Man lunchbox) so our prop will be emblazoned with the MAD MONSTER identity.
I’ve spent the last couple days working on the perfect retro font style for the Mad Monster. My goal is for the box itself to be a product of the monster mania of the 1960s. Universal monster movies were playing on TV to kids who’d never seen them before. Their popularity led to Aurora model kits and publications like Forrest J. Ackerman’s Famous Monsters of Filmland.
I imagine that a character like Mad Monster would have appealed to those kids. He appeared on lunchboxes, but is now almost completely forgotten. Those lunchboxes are prized collectibles today.
To find the right inspiration for the design, I looked at magazines, toys, and comics of the era. I especially examined the covers of Famous Monsters. I like the the letters in the left column interlock with each other.
I also thumbed through an issue of today’s greatest horror publication, Rue Morgue. Check out the font used in the lower right, for the name Paul Naschy. The spiky serifs seemed like a good way to go.
After countless drawings, I scanned my favorite treatment and applied color and texture. The next step will be adding the monster character. (The font had to be done first so I would know what shape he’d be leaning against.)
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